After years of writing about my synchronicities, I’ve produced five videos documenting my interwoven communications with an Other Intelligence, or [G] over 25 years.
Find STACETIME on YouTube at http://youtube.com/channel/UCgFDqJnqOXO9U_QRp-vWfiw
Archive for the ‘synchronicity’ Category
Announcing STACETIME – Synchronicity Stories On YouTube
Tuesday, November 10th, 2020UFO Sighting Over Kansas City, Missouri – October 16, 2020
Monday, November 2nd, 2020I stepped outside to look at the Pleiades early on Friday, the 16th of October 2020 – and was greeted by one of the sweetest sights ever on a birthday morning:
Image created with help from stockphotosecrets.com and canva.com.
Enoch, the Pleiades, Inanna and Ur: Ancient Clues in Crop Circle Communications
Saturday, November 19th, 2016
Enoch and the Pleiades are two aspects of the crop circles that have been showing up year after year since at least 1995, in the formations themselves and in associated synchronicities.
According to ancient texts, Enoch lived on Earth for 365 years until he was taken around 3000 BC to live elsewhere, indefinitely, as “messenger of God.” Enoch’s age wasn’t unusual in those days, when many people lived much longer than that. The Egyptians recorded similar long lifespans in their histories, as did other civilisations that sprang from the ancient Near East. That’s because they’re all based on the records of the Sumerians, with whom I think Enoch had an association – but we’ll come back to that.
Enoch may have been taken to live somewhere in the Pleiades or to another physical place, possibly even within our own solar system, after leaving Earth. Perhaps he exists in another dimension parallel to ours. Whatever the case, if Enoch is communicating with us today, it’s through crop circle synchronicities. 2014’s crop circles gave us many clues about the process, but the finer details are still a bit past mankind’s science horizon.
Still, playful microsynchronicities happen every single day urging me forward in this work. For instance, recently I was pacing, deep in thought, reflecting on the possible relationship between Enoch and the Pleiades, when the lyrics to a song playing in the background jumped out: “he’s a thousand miles away and still standing in front of your face.“
The correspondence was unmistakable, yet still cryptic – typical of these communications. Is Enoch transmitting from a planet in the Pleiades, some 400 and some odd light years away – or are the messages arriving from an Other dimension side by side with but invisible to us? On the surface, the song’s lyrics describe a man looking at himself in a mirror, but could also adequately describe the experience of an “Other Intelligence” – Enoch? – viewing itself from afar, working through us here on Earth.
Whoever is sending the messages, and from wherever, we’re being told to look back to the ancient past, to the earliest beginnings of what we know of civilisation – back to the high civilisation of the Sumerians. We’re being told to closely follow the shifting boundary between mythological fiction and history, including the place referenced by the interdimensional goddess who materialised in my room, who woke me from a deep sleep to speak of the brilliant city of Ur at its height, when the gods of antiquity and creation were fresh in mind.
At Ur and the other ancient Sumerian cities we get closer to the earliest known written histories, when gods from elsewhere became the ancestors of many human beings today. Less than a hundred years ago, the rich tomb a Sumerian royal we know as Puabi was excavated at Ur by Sir Leonard Woolley after having lain undisturbed and with her tomb unlooted for 4500 years.
Clearly, Puabi was someone very important – we don’t know who – in a city that had a great temple dedicated to Inanna. Could Puabi have been a demigod, born of Sumerian royalty (the gods) crossed with Earthly beings? The question is pertinent because Sumerians established the great city of Ur around 3800 BC over the flood-buried remains of a prehistoric people we now call the Ubaid. 
The Ubaid artifacts found under 10 feet of flood deposit depict multiple otherworldly figures in regal uniforms with distinctive dot patterns at the flared shoulder. The most mysterious of all, perhaps, is the figure of a serpentine humanoid nursing a serpentine humanoid baby.
Interestingly, one of the primary goddesses in ancient Sumer was Inanna, who was memorialised as a human-looking demigod associated with snakes and birds. Echoes of the Ubaid serpentine mother goddess? And it may well have been Inanna who visited 
interdimensionally to draw my attention to both the Ubaid and Ur.
Inanna and Enoch were contemporaries in an area of widespread travel and trade, so it’s likely Enoch interacted with the Sumerian royals, including Inanna. Crop circle synchronicities and encounters spanning 21 years involving Enoch and the goddess speak to some kind of connecting thread and a growing urgency related to the ongoing excavations of ancient Sumerian cities, and the secrets of humanity that remain hidden there.
STACE TUSSEL
Anatomy of a Synchronicity: The Winged Disk is Back in Flight
Tuesday, November 24th, 2015So this morning, like almost every morning, I’m sitting at the computer about to get to work writing. Choices, choices: I’ve got a couple of science-fantasy novels in progress as well as a new article about the ancient Winged Disk symbol emphasised in 2015’s crop circles. But I’ve been neglecting my fiction work so I type “fiction workshop” into the search box for some inspiration.
The first site on the list of results is Literary Fiction Workshop with free instruction by author William H Coles – something that fits into my budget and is immediately accessible, so I google Coles and land on his Wiki page, where I choose a short story from the bibliograph so I can sample his writing before submitting any of my own to him.
Googling coles “the gift” pdf I land on a page offering a number of stories to read or listen to. I scroll down and stop at “The Indelible Myth.” I scarcely notice the small illustration accompanying the link until I open the page and am greeted with a much larger version of it:
It takes a few seconds to dawn on me: it’s the image of the bird again, both my blue jay friend and the winged disk, just like at Hampton Lucy, just like I found my jay friend on the grass. And someone is putting it on paper.
Synchronicity again: pointed and clear. Just like Chomsky and Chualar and Wilde Thompson and all the others I’ve shared here at IIC, this one flew straight at me this morning by virtue of seemingly random choices made on the fly. Of countless possible searches, the “random” clicks I made this morning led straight to an image resonant with the winged disk of ancient myth (resonant even with the title of the story I clicked: The Indelible Myth), as well as the blue jay friend I lost: the two things foremost in my mind these days.
For now let me not leave you high and dry. The 2015 circles used the methods they described in 2014 to co-create multiple magnificent images of the winged disk, a symbol that originated many thousands of years ago and which was depicted with great reverence all around the world. What was being described 5000 years ago, and what does it mean today that the winged disk and other ancient symbols are coming through via extreme synchronicity in 2015? Why are crop circles drawing our attention precisely to the most ancient written histories of the mysterious high civilisations of the ancient Near East?
– STACE TUSSEL
Crop Circles 2015: More Evidence of Interdimensional Co-Creation
Monday, November 16th, 2015
My friend the blue jay
The morning after my cat died in April of 2014, I was sitting on a blanket in the a corner of the back yard feeling quite blue. After some time I looked up and noticed a robin, a squirrel and a blue jay nearby, watching me in silence. The jay seemed especially tuned to my sorrow, as though it knew what was meant by the fresh dirt patch where a candle had burned all night.
While the neighbourhood was home to many jays, I believe this one in particular sought me out after that first encounter. He began showing up whenever I was outside, perhaps prompted by the sound of the screen door shutting. I always greeted him with a smile and a few words about how beautiful he was. Sometimes he’d offer soft clicks or purrs while he waited for a piece of walnut from my pocket. If I was inside the house and he wanted to interact, he’d fly about in the tree near the kitchen window and look in to get my attention.
Then early on the 3rd of July this year I went outside to refresh the birdbath before leaving on a road trip and was stopped in my tracks by something out of place in the dawn’s half light. I inched closer, afraid it might be the remains of a blue jay fledgling that had been hanging around, unable to fly. But when I got up to it I could see it was an adult jay lying on its back, head upward and wings outspread, long tailfeathers fanned out below. It had very recently suffered a mortal wound to the chest.
Crop circle near Brandenburg, Germany. August 2015
And so it appeared that my friend the jay had lived and died as jays do. The image of his body on the grass was burned into my mind and each day I cried for his loss – and I’m not known for being weepy. A month passed and I was still in a deep depression when the whimsical crop circle at Brandenburg, Germany (left) appeared like a sympathy card from the universe. The bird in flight instantly made me smile. Though it didn’t erase the pain, this circle reminded me of the natural cycle of life and urged me to work on healing so I could move on with my own.
Not long after Brandenburg, another crop circle appeared, speaking even more directly to my painful experience and once again nudging me along in the direction of resolution. Hampton Lucy (below) was created by the linking of different consciousnesses in co-creative interdimensional communication as described by 2014’s circles and summed up at Ammersee. At Hampton Lucy, a painful image was plucked from my mind and transformed into a majestic, radiant, healing crop circle.
Image: Air Experiences
As with other messages directly from an Other Intelligence communicating with us through crop circles, multiple resonances abound at Hampton Lucy. For one, I first saw the Hampton Lucy circle while in the house in Plevna that is the “P” in the TIP Line, and more precisely in the same room wherein the goddess had appeared with her ancient incantation (and which is associated with the Clearbury Ring formation). The shape originated in my mind’s eye – which is the pineal waveguide – as well as in the mind’s eye of whoever or whatever put the circle in the field.
Hampton Lucy even cleverly revealed the jay’s killer: the neighbourhood owl that caught the jay unawares. Notably, the jay’s heart is the owl’s pineal, emphasising the importance of the heart+brain system that provides the electromagnetic juice for waveguide-driven consciousness.
STACE TUSSEL
Mega-Synchronicity Spans Several Millennia
Thursday, October 15th, 2015
The 2015 crop circles were slow to talk, though the early-season circles at Newton Barrow and Luxenborough were intriguing. The resonant opposing arc designs hinted at an emerging theme – but after 2014’s lively discussion of the mechanics and implications of our co-creative role in interdimensional communication, I wasn’t feeling at all clear about this summer’s direction.
It wasn’t until mid-July that I saw what was, for me at least, the real season opener at Clearbury Ring (left, bottom). This was the real deal, no doubt about it conversation starter. I couldn’t wait to get going with it – but wait I would, for my schedule for the rest of the day was packed.
Later that afternoon I popped into the library at closing time to return some books. With no time to browse I was about to leave emptyhanded when Beneath the Seven Seas caught my eye. The cover depicted underwater archaeology, a fascination of mine, and its title reminded me of Atlantis and the Seven Stars which has been informing my work since the beginning. Perfect! I rushed to check it out.
Perfect indeed. The image I saw when I opened the book at home that evening answered my earlier ponderings about the crop circle at Clearbury Ring: on the frontispiece was a photo of a 3400-year old gold pectoral, its two arcs positioned alongside four rays, complete with a ring of studs around a small central circle – exactly as at Clearbury.
Soon vast amounts of communication began to unfold in a series of related synchronicities, like a download, confirming the direction my work had taken over the past year. Before long I had another key realisation: the opposing crescents around a small central circle exactly mirrored the shape that appeared to me during a crop circle meditation in 1997 and materialised in a subsequent crop circle at Oliver’s Castle.
That I visualised the crescents while in the Goddess crop circle is part of the synchronicity: The Upham Goddess was located at the edge of a WWII bomb crater, and many of us who visited it and felt a protective energy radiating from it. Perhaps the symbols I received there represent a shield, just like the ancient pectoral – and the Clearbury circle.
Clearbury Ring draws our attention to a time thousands of years ago – the time of the gods and goddesses and the real historical roots of mythology which we’re rediscovering today. Physically absent and forgotten by most, perhaps the gods who had so much influence thousands of years ago have found a way to communicate through the crop circles – just as we approach the ability to comprehend such phenomena in the age of post-LHC physics.
We were even shown how it happens with the circles of 2014.
Seen together, these individual high-magnitude synchronicities comprise a megasynchronicity that continues to unfold as a living dialogue. Answers often bring questions. Why did I see the crescent shape so vividly that day in 1997, and how did it become the basis for the Oliver’s Castle formation that showed up in response? Where did those who assembled the grand formation at Clearbury Ring this year get their design? And what inspired the same design on the 3400-year old pectoral that fell into my hands with perfect timing?
Once again: interdimensional communication arrives through crop circle synchronicities. The harder we listen, the louder they speak.
– STACE TUSSEL
Mystical Science, Crop Circles and the Small Hadron Collider
Thursday, October 16th, 2014
Telepathy, flying saucers, and parallel universes are all within reach as 21st-century neuroscience and theoretical physics approach a new science of the mystical.
A kind of ESP in dolphins is being studied. And in a recent success with technology-assisted telepathy, neuroscientist Giulio Ruffini documented brain-to-brain communication of the words ciao and hola from India to France, “without the intervention of the sensorial system.” That’s right, telepathy has been achieved with little more than non-invasive brain stimulation and wireless internet. You could almost do this at home.
Now that quasi-ESP can be made to happen on demand, let’s see who can wrap their minds around the idea of real, spontaneous telepathy in humans – even telepathy between humans and Otherdimensional consciousness.
Last year’s crop circles, starting with Chualar, showed us that interdimensional, telepathic communication is a reality, and the late-season circle at Ammersee revealed the pineal as the waveguide antenna driving that communication. The cascade of synchronicities that has accompanied this conversation over two decades demonstrates a pulling effect, as hinted at by the tractor at Inman.
I see it this way: our electromagnetic field and our pineal gland are a self-regulating engine of consciousness – our unique Small Hadron Collider, which is ultimately responsible for connecting our electromagnetic emissions with those from an Otherdimensional consciousness.
Michio Kaku has called the brain “the most complicated object in the known universe,” to say nothing of the way telepathy works to connect our brain and our consciousness with an Otherdimensional consciousness, which brings us to the realm of the really far unknown. With that said, the more abstractly you can think about this, the more sense it will make:
When the frequency of emission is compatible with the frequency of transmission, corresponding waves are drawn together into a co-creative space – such as that depicted in the Ammersee circle. This is where a portal linking two or more consciousnesses sparks to life and then disappears, sometimes leaving behind actual physical traces of its transient role.
Think of the way negative ions in a raincloud are drawn to a positively charged object on the ground, creating a flash of lightning. Cosmic rays linked to our own DNA activation play a key role in the creation of lightning by the downward-reaching filament. In this we can also find a resonance with the twisted magnetic ropes that have been found to connect the Earth and Sun, massaging our individual electromagnetic fields and creating flashes of altered reality. As lightning leaves evidence of its passing through, so do these altered states during co-creation events leave their calling cards in various forms of communication.
These affinities found in nature reflect connections between our own consciousness and consciousness originating in an Other dimension. In interdimensional communication, the pineal waveguide system acts as an engine of consciousness and each being’s unique and dynamic electromagnetic emissions that are essentially filaments of energy pulling in complementary waves. When the interface occurs, that’s where we get the flash of synchronicity or other telepathic communication. Some get more of these flashes and others fewer because individual waveguides are unique.
Now exactly how the waveguide works exactly is another matter altogether. Right now the message seems to be to look at very high energy quantum interactions driven by chemical and electromagnetic changes regulated by the pineal gland’s orchestra of neurotransmitters – but hey, I’m not a scientist. The satellite dishes standing over the Ammersee formation emphasise that waves with high directivity are the product of a finely tuned pineal gland – the state we’re in when we’re feeling “in the flow” so to speak. In these moments communication occurs more readily.
There are far too many unknown variables at this point to predict telepathy or synchronicity to the satisfaction of science, but we may soon see experiments regarding exploring the pineal gland’s role in electromagnetic fine-tuning and interdimensional communication.
– STACE TUSSEL
Pineal Waveguide Depicted in Ammersee Crop Circle
Tuesday, July 29th, 2014
Charlton 2014. Image:Maya
July 2014’s crop circle at Charlton at left depicts parallel slices of a tetrahedron shown as waves. If this is understood as the tetrahedron from the IIC symbol set forth in Consciousness, Crop Circles, and Interdimensional Contact, then Charlton shows 3D reality being drawn to rendezvous with the Other Intelligence through a waveguide of sorts.
The recent circle at Raisting, near Lake Ammersee, Bavaria agrees with that view of Charlton, and responds with a more complex communication.
- Amersee 2014. Image:Maya
Ammersee’s design, at right, depicts the meeting of three different conscious beings or groups of consciousness – whoever put the formation into the field, the Other Intelligence, myself, and possibly others – all being drawn together to co-create a crop circle whose every detail embodies that selfsame message:
The EMC logo on the satellite dish nearby draws gives a clear nod to the Forest Hill circle’s spiralling waveform being drawn to a waveguide, and reiterates the role of directed electromagnetic waves in crop circle communication – both of which confirm comprehension of my recent post, Crop Circle Synchronicities as Waveguide Phenomena.
Pine Cone
Once again, with each communication, the Other Intelligence reveals an amazing cleverness in delivering vast amounts of information with each and every detail. Even the diamond pattern on which the circles are overlaid carries essential information. It answers the big question from the aforementioned post as well: if the waveguide exist in man, as the IIC symbol suggest, the what exactly is drawing us all together? Ammersee seems to be saying that the waveguide is the pineal gland.
STACE TUSSEL
Consciousness, Crop Circles, and Interdimensional Contact
Sunday, June 22nd, 2014
A few days ago I wanted to find a replacement for the word surmision, which I was using in the context of science’s general tendency to ignore phenomena such as flat-map alignments and magnitudinous synchronicities.
I’m a logophile; what can I say?
So I googled conjecture “the act of surmising”, which put me on page 3947 of the Anglo-American Dictionary and Encyclopedia, 1904 edition. Conjecture was marked in yellow a few times, but what really stood out was the description in the next column over of the reproduction of Surinam toads:
The species is propagated in an extremely curious manner. When the eggs are laid, the male impregnates them, takes them in his paws, and places them on the back of the female, where they adhere by means of a glutinous secretion, and become embedded in a series of cells which then form in the skin. When the process is completed, a membrane closes over the cells, and the back of the female bears a strong resemblance to a piece of dark honeycomb. In these cells the eggs are hatched, and the young undergo their metamorphosis, bursting through the protecting membrane as perfect frogs.” (emphasis mine)
I reflected on how the word perfect is almost exclusively used to describe approximations of the concept of perfection – two different but related things, two definitions of one word. What, exactly, is a perfect frog, or a perfect sonata, or a perfect watermelon? What is a perfect triangle or circle?
When I moved the cursor just a bit I landed on page 3999 – and the illustration for tangent:
The circle with lines running tangent to it immediately reminded me of the Triangle Alignments map with its triangle resting on the TIP Line. The triangle represents our three spatial dimensions, and the tangent TIP Line represents a higher dimension which 
appears to be a one-dimensional brane touching our reality.
I scrolled a bit more and the cursor stopped at page 4047 and this tetrahedron:
Overlaying the tetrahedron on the visualisation just described, an even more elegant representation of the link between 3D and a higher dimension arises in the image of an animated tetrahedron connected to a tangent brane.
So the Triangle Alignments map is effectively a symbol of interdimensional communication. What a trip!
Of course Inman is the connecting point in the FMA model of the Otherdimensional braneworld touching our 3D world. In other words, the nexus point is in man, and in man is Consciousness.
Taken as a whole, this perfect little string of microsynchronicities seems to say that consciousness enables communication with the Other Intelligence residing in an Other, parallel dimension touching our 3D reality.
And if that’s true, it brings real magic back to crop circles.
STACE TUSSEL COLLIGAN
Flat-Map Alignments 101: Frequently Asked Questions
Thursday, January 16th, 2014
I decided to put together this FAQ page after I received a note from Colin Andrews, who was, in a roundabout way, involved in my first crop circle experience in 1995:
In brief Stace, I think your alignments are very interesting indeed but as is always the case with engineers like myself, we like to see all the parameters present. Drawing a straight line on a 2D flat map isn’t the same as a line of alignments which take into account the Earth’s curvature. Have you done that? …[I]f you have and see this level of accuracy and alignment then I would suggest you publish and challenge peers to comment.
Colin’s question made me realise that while I take FMAs for granted, the idea of a flat-map alignment can be confusing. So in the interest of facilitating understanding, here is a beginning list of common questions with the best answers I can provide, which I hope will clarify what these alignments are and why they are so critically important:
Once a basic understanding of the FMAs is achieved, one can see that the enigmatic Other Intelligence involved with crop circles not only exists, but is contacting us in a way that is evidence of its authenticity.
FLAT-MAP ALIGNMENTS: Frequently Asked Questions
What is a Flat-Map Alignment? A Flat-Map Alignment (FMA) is a visual representation of an abstract connection between two or more locations, created by drawing lines between significant points on a flat map (as opposed to a spherical map) in a way that carries information. As such, FMAs are a novel form of communication.
A stand-alone alignment such as the TIP Line has three or more points, whereas a connecting alignment like the Chualar Braille Number Sign runs parallel to and/or intersects established alignments.
Who is communicating through FMAs? FMAs seem to come from a relatively omniscient non-human source – quite possibly the otherworldly intelligence involved with crop circles that so many of us have experienced contact with for decades. I usually call this presence the Other Intelligence.
Do FMAs depict literal alignments between place points? Flat-Map Alignments, by definition, are not representative of lines drawn on a curved surface; therefore, the FMAs and the shapes they create are not to be confused with the same lines and shapes as they would appear plotted on a sphere.
How do FMAs express ideas? The symbolic and abstract geometric configuration resulting from FMAs produces “writing” which appears on the “writing surface” of the flat map. Each place point contributes something unique and essential to the bigger picture, much like each section of an essay ultimately contributes to the expression of an overall thesis. Each grouping of place points in a complex such as the All-in-One Alignments can be deciphered as a phrase or idea informed by each individual point.
I hope to add to and improve this list over time.
STACE TUSSEL COLLIGAN