Archive for January, 2014

Flat-Map Alignments 101: Frequently Asked Questions

Thursday, January 16th, 2014

I decided to put together this FAQ page after I received a note from Colin Andrews, who was, in a roundabout way, involved in my first crop circle experience in 1995:

In brief Stace, I think your alignments are very interesting indeed but as is always the case with engineers like myself, we like to see all the parameters present.  Drawing a straight line on a 2D flat map isn’t the same as a line of alignments which take into account the Earth’s curvature. Have you done that?  …[I]f you have and see this level of accuracy and alignment then I would suggest you publish and challenge peers to comment.

Colin’s question made me realise that while I take FMAs for granted, the idea of a flat-map alignment can be confusing.  So in the interest of facilitating understanding, here is a beginning list of common questions with the best answers I can provide, which I hope will clarify what these alignments are and why they are so critically important:

Once a basic understanding of the FMAs is achieved, one can see that the enigmatic Other Intelligence involved with crop circles not only exists, but is contacting us in a way that is evidence of its authenticity.

FLAT-MAP ALIGNMENTS:  Frequently Asked Questions

What is a Flat-Map Alignment? A Flat-Map Alignment (FMA) is a visual representation of an abstract connection between two or more locations, created by drawing lines between significant points on a flat map (as opposed to a spherical map) in a way that carries information.  As such, FMAs are a novel form of communication.

A stand-alone alignment such as the TIP Line has three or more points, whereas a connecting alignment like the Chualar Braille Number Sign runs parallel to and/or intersects established alignments.

Who is communicating through FMAs? FMAs seem to come from a relatively omniscient non-human source – quite possibly the otherworldly intelligence involved with crop circles that so many of us have experienced contact with for decades. I usually call this presence the Other Intelligence.

Do FMAs depict literal alignments between place points? Flat-Map Alignments, by definition, are not representative of lines drawn on a curved surface; therefore, the FMAs and the shapes they create are not to be confused with the same lines and shapes as they would appear plotted on a sphere.

How do FMAs express ideas? The symbolic and abstract geometric configuration resulting from FMAs produces “writing” which appears on the “writing surface” of the flat map. Each place point contributes something unique and essential to the bigger picture, much like each section of an essay ultimately contributes to the expression of an overall thesis. Each grouping of place points in a complex such as the All-in-One Alignments can be deciphered as a phrase or idea informed by each individual point.

I hope to add to and improve this list over time.

STACE TUSSEL COLLIGAN

The Chualar Crop Circle is NOT Just a Hoax – and Here’s Why

Wednesday, January 8th, 2014

Flipped on its side, the Chualar relays the Braille character from the formation itself

Flipped on its side, the Chualar alignment relays the Braille character from the formation itself

The crop circle at Chualar sparked worldwide interest, just as intended, when it appeared at the end of December.  Since Nvidia claimed responsibility for the human-made circle, however, Chualar has largely been relegated to the round file of crop circles.

As it turns out the Chualar circle wasn’t trash – it’s an absolute treasure.

The Braille that showed up in the map glyph created by the alignment was pretty impressive, and I knew right away that Chualar could seal the deal by providing the critical mass to verify flat-map alignments as a way of communicating with the non-human intelligence behind the circles.  But one potential caveat bothered me from the start: might Nvidia have chosen the location specifically as part of the prank?  Was I duped by my own method? I didn’t think so, not by a long shot.  Surely Nvidia wasn’t interested in my maps – after all, to achieve their goal, a fringe theory like mine wouldn’t need to play a role. But I still needed to do a little more research before expressing with any certainty that what came down in Chualar was more than just an advertising scheme.

I tried reaching Nvidia’s Brett Murray, who led the Chualar project, but repeatedly got his voicemail and I didn’t want to leave a message. I needed an answer, and I wanted to talk candidly with the right person at the right time to find out why the formation was put down where it was.

The all-in-one map with Chualar, lower left, connecting with the Pleiades in the upper left and the Gray TN crop circle, lower right.

The all-in-one alignments map with Chualar, lower left, connecting with the Pleiades in the upper left and the Gray TN crop circle, lower right.

Yesterday afternoon I finally tracked down the person who could help me out – the independent location scout hired by Nvidia to find the perfect spot for their crop circle stunt. After a brief introduction and an acknowledgment that I was writing an article about Nvidia’s circle, I asked the million-dollar question:

Of all places to put a crop circle, why Chualar?

Matt told me that his search comprised a wide area as far north as Milpitas down through the Salinas Valley, where he drove hundreds of miles searching for the flat, grassy, and accessible landscape that would make an ideal canvas for Nvidia’s advert. Chualar won the honour because it was ultimately the only place with a suitable field.

Diagram of Chualar circle with the line echoing the TIP Line overlaid

Diagram of Chualar circle with the line echoing the TIP Line (ovelaid.) Notice the repeating Braille Number Sign in the inner box of the formation.

But was it really just that simple? As shown, when placed on the map, Chualar and only Chualar results in the Braille Number Sign (which resembles a backwards capital L), itself an essential symbol appearing multiple times in the formation. The Braille symbol is made up of four raised dots, but the alignment initially appeared with only three place points. The fourth point arises, not surprisingly, by following the TIP Line – a line that continues to live up to its acronymic name!

The TIP Line, the first predictive stemming from the Inman, KS crop circle of 1995

The TIP Line, the first predictive alignment stemming from the Inman, KS crop circle of 1995

How did I know to use the TIP line?  Because I know its function, for one thing… and because it was alluded to in the crop circle design.

In summary, let’s consider one more time how this crop circle came about and how it connects with the alignments map as a communication:

Last month, Nvidia spontaneously came up with the idea to use a crop circle in a tightly budgeted and rushed advertising campaign.   Also last month, I posted an installment in my alignments research for the first time in over a year. (For all I know, both their choice and my article occurred on the same day….and I wouldn’t be the least bit surprised.)

The marketing team came up with a design that fit their advertising objective – and in the process created a design with multiple details confirming specific components of my ongoing alignments research.

Additionally, they chose a location that was adequate to pull off their advertising – which happens to be the only location that combines perfectly with the established alignments to create the map glyph depicting the all-important Braille letter.

I can only conclude that Nvidia’s team was nudged along by the Other Intelligence that continues to engage us in ways that we cannot yet explain.

Far from being mundane and inconsequential, the Chualar formation is part of a complex language used by a non-human intelligence to transmit information through crop circles. Once again, the Other Intelligence comes through as only it can, showing an awareness of us, an ability and desire to respond to our requests for communication and validation….and from Nvidia’s perspective, a willingness to collaborate in unexpected ways for truly out-of-this world results.

IMPORTANT NOTE:  If you are new to Flat-Map Alignments, please see FMAs: FAQs.

STACE TUSSEL COLLIGAN

Chualar California Crop Circle: Don’t Throw the Champagne Out With the Cork!

Friday, January 3rd, 2014

A crop circle to brighten up these winter days – what a sweet surprise!  The surprise was kicked up a notch when I added the Chualar, California formation to the all-in-one alignments map, where the circle corresponds notably to Pleiades Peak in Washington state and to the Gray, Tennessee crop circle of 2012:

Click here to access an interactive map of the above alignments.

Following the release of what appears to be a staged video of the formation’s discovery and reports of a group of people working in the field the day before, many have dismissed the circle as a run-of-the-mill hoax.   Just a few years ago I may have written it off as well – but after considering the human circlemakers who claim to be enigmatically inspired or compelled to create specific symbols in precise locations, I’ve changed my position.  After all, I’ve had numerous experiences of my own where I was seemingly guided to the right place at the right time for some “paranormal” event to occur, so why not others? The bottom line is that I can’t deny that human-made formations may be part of the communication from a non-human source – and I believe that’s what may have just happened in Chualar.

Regardless of how it was created on the ground, the details at Chualar confirm that it’s a part of a custom-designed mode of communication that I’ve been diagramming for the past couple of years: flat-map alignments as symbols used in non-verbal expression by an Other Intelligence. The design contains or alludes to both Braille and Morse Code, as well as other communication systems. Not only do the shape and details of the Chualar circle echo the idea of an actual encoded language, but the formation’s location on the map provides a new communication to be read through the alignments map: the addition of the Braille Number Sign to “read” (or decipher), just like the Braille Number Signs at Chualar show us how to read the numbers “192” that repeat within the circle’s inner rectangle.

The “L” shape jumps out once Chualar is added to the map – it’s on a north-south line with the Pleiades Peak and an east-west line with the Gray, Tennessee crop circle of last summer (and which hadn’t directly tied in with the alignments until now). These north-south and east-west correspondences resonate with an established motif in the all-in-one alignments map: Spanish Fork UT and Teton ID fall on the same longitude line; Langdon ND and Plevna KS are on the same longitude line, as is Langdon KS, where I graduated from high school; Pleiades Peak and Langdon ND appear on the same latitude line; Wilbur WA and Thompson ND are on another latitude line; Spanish Fork UT and Boulder CO fall on the same latitude line. I really like the way the Chualar circle pulls “Gray” into the conversation through one of these special grid alignments.

“192” has got a multitude of possible meanings, but I find it especially curious that 192 is the Dewey Decimal number for library materials on the Philosophy of the British Isles – quite possibly a reference to the St Michael ley connection via the Bermuda Triangle with the Pleiades Peak, a very expansive flat-map alignment which was detailed in my last post two weeks ago.  And researcher Glenn Aoys from the Netherlands has found a link from the number 192 to the colour gray in a completely different context than Gray, Tennessee, bringing extra emphasis to that connection.

One question that I’m still pondering: Was this a predictive or derivative alignment? In any case, connections and resonances between Chualar and the alignments map – too many to detail at this moment – continue to arise. What matters is that all of these point to the reality of a language which Bright Garlick recognised when he wrote, in response to my posting of the original triangle alignments map, “Something you have hinted at, that I also think might be true – is that whatever is creating these circles and larger scale patterns, is using geometry as a means to tell us ”I noticed you and have responded!”. Which I reckon is a pretty strong way to confirm something that otherwise seems very subjective and hard to prove. We seem to find the proof we need, when we know how to look and sometimes we seem to be guided to that as well.” Thank you, Bright; I couldn’t say it better myself.

Information continues to stream from the resonances brought forth with this new alignment and will be posted here as it is compiled and analysed.

IMPORTANT NOTE: If you are new to Flat-Map Alignments, please see FMAs: FAQs.

STACE TUSSEL COLLIGAN

See also The Layered Language of Crop Circles:  Connecting the Dots in Extraordinary Phenomena Research and subsequent posts on alignments published here.